Serendipitously if accidentally, directional and moral compasses were a running subtext of the last two books that I read in 2009.
One book was The Education of Henry Adams by . . . well, Henry Adams, the Boston-bred, Harvard-educated grandson and great-grandson of American presidents. His autobiography chronicles a lifelong and ultimately unsuccessful struggle to come to terms with "progress" and then the dawning of the 20th century. The other book was Up in the Big Hotel by Joseph Mitchell, a Southern-bred and street-educated New Yorker magazine writer who drew rich prose portraits of greasy spoon cooks, oystermen, gofers, bag ladies, Gypsies and others in and around New York city who struggled to survive during another time of tremendous change -- the middle decades of the 20th century.
Despite their very different backgrounds, Adams and Mitchell were equally keen observers of the vacuity of the chattering classes and that compass thing.
Adams concluded that his traditional education and education in general had failed to give he and his elitist peers the tools to build the moral foundations necessary to confront the social, technological and political upheavals that emerged after the Civil War, propelling the U.S. at breakneck speed into the 20th century, and he was especially concerned about the debasement of politics. (Did you really think that this was a recent development?)
Mitchell's subjects -- all on the fringes of society who encountered the elite only when they shined their shoes or were run over by their limousines -- had little time for traditional education. Many of them sensed that radio, the emerging medium of television and other breathlessly embraced technological "improvements" were debasing the human condition. Mostly importantly to this essay, because of their own finely calibrated compasses they understood better than the sharpest social and political scientists the directional and moral emptiness of the people who ran the show from boardrooms and capital cities.
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The big difference today compared to the eras of Adams and Mitchell is that while there certainly were Coburns and Bachmanns back then, they didn't have such outsized megaphones.
There also weren't nearly as many people to lap up their morality-free crap, let alone directionally impaired folks like that mascara applying, text messaging bimbo who wouldn't know Coburn from Coltrane and other contemporary manifestations of cluelessness. Some of the more pungent examples include the father who called 9-1-1 because his son wouldn't clean up his room, the aspiring rapper who held up a convenience store to get some street cred, the wrecking crew that keeps knocking down the wrong houses, people suing a cereal maker because the "crunchberries" in Capt'n Crunch aren't real fruit, brawls at Chuck E. Cheese parties that are so common that they're hardly newsworthy, the woman hit by a train after lying on the tracks "to clear her mind" . . . aw heck, you get the idea.
Perhaps it is our fate to become more clueless the further we get from the tree we swung down from not in spite of but because of all the material improvements in our lives. Thinkers far more facile and knowledgeable than me -- Adams and Mitchell to name but two -- have gone way deep on this and I am only stating the obvious.
In any event, our very best wishes for a directionless New Year and a morally stultifying decade.
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